Based in Portland, Oregon, United States, Bluewater publishes biographical comics, adaptations from films, and original titles with self-created characters. Dell Limited preview The Tidal Wave and Other Stories Ethel May Dell Snippet view The. TidalWave Productions (previously known as Bluewater Productions, StormFront Media/Publishing & Storm Entertainment) is an independent production studio of comic books and graphic novels. Other prominent and influential female authors, business executives, entertainers, journalists, politicians and activists are currently in development. Personal accounts of the movement, like Roxanne Dunbar-Ortiz's Outlaw Woman, are more engaging than this condensed, encyclopedic overview still, it will be a useful textbook for women's studies classes. Other editions - View all The Tidal Wave and Other Stories Ethel M. This Volume describes waves, their measurement and characteristics, their behaviour in shallow water and unusual waves. Female Force offers a broad examination of strong and influential women who are shaping modern history and culture. She lays out her chapters chronologically, with a wealth of detail on people, ideas, organizations and acronyms, all carefully identified. Evans views the women's movement as a "tidal wave" destined to prevail (even if the steady in-and-out of tides might also suggest the power of the status quo). On that fateful day, storm conditions resulted in a. But Evans is determined to write down as much of this history as possible, "to affirm for future generations that they do indeed have a history, by turns glorious and distressing, on which they can build." She sees feminism as a rising tide in the late 1960s and '70s, engendering an undertow pulling women back in the '80s, resulting in a resurgence of women in the '90s. Millbrook Press, 1992 - Ocean waves - 63 pages. November 25th, 1950 is a day that the New Jersey Bayshore residents have never forgotten. ![]() ![]() A movement with slogans like "the personal is political" which demanded, at times, self-criticism and anti-elitist nonleaders and generally rejected party-line politics is necessarily a difficult one to document, much less to summarize. Arabella Crawford spent twenty years building a multimillion-dollar worldwide business empire. Evans, who has taught women's history at the University of Minnesota since 1976 and written several books on feminism, including Born for LibertyĪnd Personal Politics, has attempted here the nearly impossible: to write a nonpartisan, totally inclusive account of modern (i.e., 1960–2002) feminism in America.
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